When You Go Looking for Bigfoot in Oklahoma and Find Something Stranger.

Bigfoot Research in Oklahoma
What starts as Bigfoot in Oklahoma research doesn’t always stay that way. In Oklahoma, investigator Coleman Atchley and the team at Red Dirt Cryptid Investigations found themselves chasing reports that blurred the lines between cryptids, paranormal activity, UFO encounters, and something much harder to define. The deeper they went, the stranger the phenomenon became.
This conversation started as a discussion about Bigfoot research in Oklahoma and turned into something else entirely. Time slips. EVPs that talk back. The Lady in White showing up where she doesn’t belong. Places where phenomena stack on top of each other like bad architecture.
This is one of those interviews where the lines between categories collapse. Bigfoot. Paranormal. UFOs. Consciousness. The land itself doing something we don’t have language for yet. You’ll hear it unfold in real time.
Below is the written version of my conversation with Coleman Atchley , field investigator with Red Dirt Cryptid Investigations and the filmmaker behind Whispers From the Woods.
Coleman didn’t set out to be a documentary filmmaker. He started filming in 2021–2022 with friends who were brand new to Bigfoot research in Oklahoma. The first project was exactly what you’d expect. People learning as they went. Mimicking what they’d seen on TV. Hollering in the woods and cringing later.
But something stuck. The filming. The interviews. The fieldwork. Being in places where people reported encounters. That part hooked him.
After the first documentary, Coleman reached out to Brian of Red Dirt Cryptid Investigations. A message. A meeting. An invite to investigate. That was the beginning of a long collaboration with Brian and Eric, and eventually, Whispers From the Woods.
This time, Coleman wanted to do it differently. Less performance. More research. Something he could watch without embarrassment. In Bigfoot research, there’s a dominant framework. Flesh and blood. A biological species. A primate. Something explainable if we just find the right evidence.
Coleman started there, too.
But the longer you stay in the field, the harder it gets to ignore what doesn’t fit that model. Reports of mind speak. Cloaking. Lights. Experiences that don’t behave like animals.
And then there was the Lady in White.
Coleman jokes that he went looking for Bigfoot and found ghosts. But that experience changed how he understood the work. Not because he suddenly believed in the paranormal, but because he couldn’t unsee it.
When he started researching further, he found something unsettling. The Lady in White wasn’t just a haunted house phenomenon. She showed up in Bigfoot hotspots too. Places where multiple types of phenomena overlap. Not everywhere. But enough to notice a pattern.
Brown Springs doesn’t feel neutral.
Even people who aren’t into paranormal research describe it as heavy. Historically, it’s been a dumping ground. First for bodies in the 1800s. Later for organized crime. Violence layered on violence. Coleman didn’t know that history when he first had his experience. He didn’t research it until afterward.
What he remembers most is the woman’s hair. Wet. Clumped. As if she’d just come out of water. Her clothing looked 1800s. Her face had a Native quality. The possibility that she was a victim, not a symbol, lingers. Speculation, yes. But the land holds memory. And Brown Springs feels like it knows what it’s for.
Bigfoot sightings. Dogman reports. UFO activity. Paranormal experiences. They don’t compete here. They coexist. While filming Whispers From the Woods, the team followed witnesses to the location where a Bigfoot print had been cast. On the walk back, they heard it. A deep, guttural growl. Loud. Close. Too close.
Five times. It faded, then stopped. They searched. Nothing. Brian, who had always leaned toward the flesh-and-blood explanation, couldn’t reconcile it. Whatever made that sound should have been visible. It wasn’t. That moment shifted the entire documentary.
Later, at Brown Springs, while walking near the springs at the base of the cemetery, an EVP was captured. No one reacted at the time. No one heard it. Months later, while editing, Coleman isolated the audio. The voice was clear. Calm. Close.
“Say this place is haunted.”
It sounded like it was spoken directly into Brian’s lapel mic. Coleman wasn’t wearing one. No one remembers speaking. No one reacts on camera. The spectrogram made it stranger. Brian’s voice lights up the screen with layered frequencies, like a normal human voice should. The EVP appears as three faint purple dots. Minimal signature. Wrong shape.
Researchers familiar with EVP work say this happens. Clear voices without human vocal structure.

But that wasn’t the end of it. About thirty minutes after the EVP, the team conducted an EVP session in the cemetery. When Coleman starts the session, something feels off. He forgets how he usually begins. He hesitates.
Then he says it.
“A lot of people say this place is haunted.”
The same sentence. The same phrasing. The EVP had instructed him before he said it. No one knew until months later. Coincidence is possible. But it doesn’t explain why that exact phrase surfaced, unprompted, in a moment of confusion. One theory is subconscious pickup. Another is a feedback loop. Another is time folding in on itself.
Coleman describes another experience where an EVP recorder played audio out of order. Words spoken later appeared at the beginning of the recording. The opening appeared at the end.
It’s rare. But it happens. And it never happens at home. It happens in hotspots. Places where time feels thin. Flexible. Less linear.
I shared my own experience with sessions where language, imagery, and real-world events synced in real time. Not metaphorically. Literally. Birds. Volcanoes. Words spoken in trance were reflected moments later by people unaware of the session.
If time isn’t linear everywhere, then maybe these places aren’t haunted. Maybe they’re unstable. This is the question I couldn’t ignore. Why does the phenomenon keep interacting with Coleman? Not just appearing. Not just happening near him. But responding. Using his words. Folding him into the event.
Coleman doesn’t claim anything special about himself. But he talks about “lighthouse” people. Sensitive individuals who seem to draw activity, whether they want to or not. Not everyone notices. Not everyone reacts. But some people become part of the system. Observers and participants at the same time. That’s when things escalate. Coleman’s position is simple.
Bigfoot is weird.
It always has been.
Eight to nine-foot beings have been seen worldwide. Physical evidence without bodies. Telepathy reported by credible witnesses. Lights. High strangeness. Pretending this is just a primate problem is limiting the research.
At the same time, not everything in the woods is Bigfoot. Tall shadow figures throwing rocks may be categorized wrong simply because of location. If it happened in a house, we’d call it paranormal. In the woods, we call it Bigfoot.
That’s a problem. Without better categories, we can’t sort what’s happening. We just label and move on. Coleman is currently working on a Dogman documentary and preparing for a full-scale project focused entirely on Brown Springs.
Multiple investigations. Historical research. Folklore. EVP work. Time spent letting the place respond. Not chasing proof. Listening. Nothing in this conversation resolves cleanly. That’s the point.
If you’re waiting for the moment where someone explains it all, you won’t find it here. What you’ll find instead is a crack in the narrative. A place where explanations stop working.
Reports of strange lights, unseen presences, and unexplained entities appear in investigations all over the country. For another account involving shadow figures, antler entities, and activity near moving water, check out my article on paranormal encounters in the Pennsylvania woods.



